The Need for Feedback

“I want to write music to be heard, music for listeners, individuals who hear a piece and respond to it as it moves them personally. ” – Nathan Cornelius

deformingprisms

A30308.jpg Thomas Eakins, Singing a Pathetic Song, 1881, oil on canvas, Corcoran Collection, National Gallery of Art

When I was a guitar student in college, I always practiced in the same room, facing the same direction. It almost became a second home for me—one of my friends eventually posted a sign with my name on the door. But when I had to leave these friendly confines to go perform in an unfamiliar hall, I always felt I sounded worse. Then I would start to make more mistakes while worrying about what had happened to my sound. Eventually I realized I wasn’t actually playing badly; my ears were just getting different resonance than they were used to from the room I usually played in. To cure myself of this perception, I set a goal to branch out and practice in spaces with the least reverb I could possibly find. I played outside…

View original post 838 more words

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s